Formed by brothers Chris & Mike Jones, melodic rockers KICK enlisted one of the genre current best vocalists; Vega’s Nick Workman. “Sweet Lick Of Fire” is Kick’s second album where they expanded the sound mixing rocking riffs with commercial choruses and a slick modern sound, often compared with Harem Scarem style at the time. More»
The guys managed to reproduce the very sound of the seventies. Sorry, few releases. This distribution is the BandCamp record I bought.If you liked the work of the group - do not be too lazy to buy, especially since the price is symbolic. More»
Longplayer number three for the ex-six-string by SHOOTER JENNINGS, and this Leroy Powell is actually a really traditional hard rock album with Blues and Southern elements succeeded that you have to develop unlike its predecessor only to enjoy it. .. and more, because in between - actually quite often - shows the hard-boiled from his hand-tame, thoughtful side. More»
Jun 27, 2020 09:40
Hard Rock Heavy Metal |Power Metal HQ
Stormzone’s ficticious champion ‘The Dealer’ has returned in their anticipated album, Seven Sins, released on 3rd August 2015 by Metal Nation Recordings. Seven Sins is arguably the most ambitious project from the Stormers since they were first ‘caught in the act’ in 2007. The violin intro offers a false promise of melodic calm, before the storm of sinners, musical power and imagery.
Musicians on the Miracles album: Lars Nielsen, Bernhard M. Hansen, Per Nielsen, Henrik Gilbro, Erik Severin, Morten Wulff, Peter Seebach, Henrik Launbjerg & Peter Iversen. More»
Release is the second solo album by guitarist and singer-songwriter Damon Johnson, who has been a member of Brother Cane, Slave to the System, Whiskey Falls, and Alice Cooper's band, and is currently with Black Star Riders and Thin Lizzy. More»
Stormzone’s ficticious champion ‘The Dealer’ has returned in their anticipated album, Seven Sins, released on 3rd August 2015 by Metal Nation Recordings. Seven Sins is arguably the most ambitious project from the Stormers since they were first ‘caught in the act’ in 2007. The violin intro offers a false promise of melodic calm, before the storm of sinners, musical power and imagery.
