Who among the first to the last minute to throw cliches around, the count must be aware that the person is compared with skepticism. NIGHT QUEEN manage to make this skepticism is extremely large. Starting with the name [Band / Title] about the cover up to the band logo - everything is permeated with kitsch and clichés. One can only hope that the album of the Belgian one can really surprise you. "For Queen And Metal" - sorry but the title is really a launch - starts, how could it be otherwise with a classical intro. Next is a sugary sweet but very well staged compound symphonic metal song that can score points with its details and its quite a change. This one is immediately reminded of the first EDENBRIDGE.

 Tone things down a dominant keyboard that often takes the lead and attention to detail provide a good mix. Somehow sugary and cheesy and still set with so much wealth of detail and love the scene that the material can convince. Singer Keely Larreina however, is a true taste of fall. Somewhere in between, I will sing high - can not, and I sing low - but do not want this, she makes her way through a medley, which also brings with it a horrible accent. Unintentionally this results in a separate note, however, remains a very strong taste. In itself it does not work on the wrong lot. The songs blend all is well with a work together and also to experiments avoided in general. remains at the end of "For Queen And Metal", a typical, fairly well-implemented and quite interesting symphonic metal album that recalls but sometimes too much to EDENBRIDGE . For a change in the numbers is provided and the technical craft is enough to inspire the time to. Although it depends on the current icons of the scene behind but still a lot for a small surface-treat it right this spring, just in Sun

1. Into the Night
2. Nightfall
3. Mystical Nights
4. For Queen and Metal
5. Lady Fantasy
6. Nocturnal Thoughts
7. Secret of the Blind Man
8. Majesty
9. Rebel to Rebel
10. Screaming for Mercy
11. Dark Fairy

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Nightqueen – For Queen and Metal (2012)
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