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400Band Blackout Beach
Info: Blues Trip
Years: 2013
Style: Indie Rock / Emo
Bitrate: mp3 / 320 kbps
Info: 75 Mb
Time: 00:33:19
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400Band Biffy Clyro
Info: Opposites [Deluxe Edition]
Years: 2013
Style: Alternative Rock / Indie Rock
Bitrate: mp3 / 320 kbps
Info: 192 Mb
Time: 01:21:47
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400Band Widowspeak
Info: Almanac
Years: 2013
Style: Indie Rock, Dreampop
Bitrate: mp3 / 320 kbps
Info: 101 Mb
Time: 00:40:02
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400Band Ra Ra Riot
Info: Beta Love
Years: 2013
Style: Indie Rock / Indie Pop
Bitrate: FLAC (Tracks) / Lossless
Info: 203 Mb
Time: 00:30:17
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400 x 400Band The Twang
Info: 10:20
Years: 2012
Style: Indie Rock
Bitrate: mp3 / 320 kbps
Info: 100 Mb
Time: 00:41:32
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Band Lucy Rose
Info: Like I Used To [Deluxe Edition]
Years: 2012
Style: Indie Pop / Indie Rock / Folk
Bitrate: mp3 / 320 kbps
Info: 131 Mb
Time: 00:55:09
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TODAY!

Long Island based Como Brothers seem a little conflicted on their new EP, The Speed of Sound. Sandwiched between the positive chick songs You Are My World and Can I Be Matched With You is a nearly vitriolic rant against an unfortunate gal, I Don't Like You.

I'm hoping, maybe, that first song is about one of the brother's pet dog or infant daughter, and the last about online dating services, as one Como bro seems pretty pissed about some chick. Otherwise, The Como Brothers Band is about some very good music. It has a foundation of classic melodic rock, with a touch of blues, and enough alt-indie edge to make the hipsters take notice. It's nearly raw,

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At what age does your feminist anger stop being qualified as "riot grrrl rage"? Kill My Blues,the Corin Tucker Band's sophomore album, is being heralded as the former Sleater-Kinney bandleader's default to her '91 Olympia factory settings. This is a fantastic prospect surely stoking our 1990s nostalgia and wiping the weird taste of her previous album off our palates, but it doesn't quite hold.

Tucker is now a grown-azz, 39-year-old woman, and on Kill My Blues she tackles topics that weren't on her riot girl radar at 20: mortality, the joy of conception, how she could use a vacation. She is singing from the perspective of her life as the mother of two kids who's maybe a little wistful for days when her life was a little more carefree and Joey Ramone was still above ground. Her rage is no more than that of any American who's paying attention in 2012.

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The Killers are apparently Mitt Romney’s favourite contemporary rock band, or at least the only one it is safe for the presidential candidate to mention. Like Conservative politicians in Britain, Republicans are at a disadvantage when it comes to advertising their music taste, at risk of being denounced by alternative bands unwilling to be associated with right-wing ideologies. The Killers, however, have proved unusually gracious.

“Anyone’s allowed to like us,” bassist Mark Stoermer responded. The association, of course, centres on singer and chief songwriter Brandon Flowers sharing Romney’s Mormon faith, but it may also run deeper. Despite their sinister name and edgy image, the Killers are an intrinsically conservative band.

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Now!Hot Heart Cold ...

Regular listeners of 3FM and related stations have through the pleading Dance With Me already acquainted with the unmistakable qualities of Kill Ferelli (consisting of members of the Limburg bands Dreadlock Pussy, Liftid, Viberider and SAT2D), which also have an EP on his name.

A Modern Scenery brings us with any short crackling (of inpluggende instruments?) First in the energetic Devil Zone, but offers with songs like NYC, July and slightly leaning to Lacuna Coil The Messenger also many lyrical moments.

Characteristic of this band are passionate and captivating vocals of front lady Kelly Kockelkoren and compact, appealing directly to the construction of numerous exuberant choruses interspersed songs. Everything, to the occasional guitar solos in Mr.. Niceguy and Blush is as concise as effectively.

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Danny Boyle's decision to hand one of the songs at the Olympics opening ceremony (Caliban's Dream) to Two Door Cinema Club's frontman Alex Trimble suggests that the Northern Irish trio's time has come. In truth, while their second album is polished, thanks no doubt to U2 producer Jacknife Lee, there is nothing to distinguish Two Door Cinema Club from several other excitable indie-disco bands. Their debut, Tourist History, was endearingly odd but, Sun aside, Beacon is prosaic and frenetic, its tireless synths and fidgety guitars unable to camouflage the group's dearth of ideas.

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