Title Of Album: Pleiades Year Of Release: 2012 Genre: Heavy Metal Total Time: 38:06 min Format: Mp3 Quality: CBR 320 kbps Total Size: 92 mb
Tracklist:
1 Fire, Fire 3:15
2 Even If We Don`t Go 4:20
3 Nobody Buys Me Earings 3:33
4 I Blame! 2:55
5 Before The Music Dies 4:27
6 Insomnia 4:28
7 Find The Same Way 5:49
8 In My Dreams 4:08
9 Pleiades 5:11
2. Lightlands
3. Euphoric City
4. Creating Our Own Perfect Utopia
5. Eagle Servants
6. Golden Power
7. Lightbringers
8. When Dragons Rise
9. Temple Of Peace
10. Dreamworld
11. With Great Might
12. Majestic
Now, you may have already heard of a rather unusual musical / Power Metal project initiated by two friends from the Netherlands – who call themselves POWERIXTIX. Wait, you haven’t ? Then sit tight and and relax, for now it is your time to get to know these guys. Right – we are here to find out whether their album ETERNITY actually is something to care about – or, if it is just a sorry attempt to create something… unusual. POWERIXTIX consist of two main members, RIX and TIX – or, if you might want to call them by their real names – Erik and Tim. As you can see on their Blogspot-Page, they seem to be your not-so-ordinary at all Dutch’s, who have a serious affection for a genre many people out there tend to love – we are speaking about the overall Power Metal-genre indeed. And, what automatically comes along: the melody, the speed, the catchy choruses, the high-pitched vocals and… you know the rest. So, their idea was to produce a CD that has a certain ‘mix-tape’ touch, which is rather unusual in any Metal genre – some tend to know about similar productions from genres like Rap or RnB. Exactly the genres POWERIXIX would never listen to – as they often state in a humorous manner. So what kind of CD is ETERNITY, then ? Is it a CD you could carry over to a (Metal-)party, being assured that you have a various selection of uplifting Power Metal-tracks pounding through the speakers – or do we rather speak about a pure fun-project here, a CD that fraternizes their devotion to the Power Metal-genre ?
If you love the sound of the Pro-Tooled, slickly produced metal albums that are being churned out by the dozen these days, you'll want to skip over Christian Mistress.
While the Olympia, Washington-based metal band won't be winning over any fans who thrive on auto-tune and quantized drums, they should appeal to anyone hungry for a slab of traditional-minded heavy metal with a modern twist.
Their latest offering, Possession, picks up where their 2010 debut album, Agony & Opium, left off -- with the powerful pipes of Christine Davis providing a Doro-meets-Coven wail over the twin-guitar attack of Ryan McClain and Oscar Sparbel.
Possession, as any sophomore album should be, sees the band fine-tuning their sound, which mixes equal parts NWOBHM and good ol' fashioned American doom metal.
I recently caught up with guitarists Ryan McClain and Oscar Sparbel to talk guitar, Possession and the importance of noodling.
01 Over & Over
02 Pentagram and Crucifix
03 Conviction
04 The Way Beyond
05 Possession
06 Black to Gold
07 There is Nowhere
08 Haunted Hunted
09 All Abandon
MegaDriver - Brazilian heavy metal band doing mostly cover versions of the music of the games on the console Mega Drive.
The group calls itself a non-profit and independent. Its purpose - "to pay tribute to classicvideo games." Therefore, their work is available for free download on their website.
They have released eight albums, several singles and four full soundtrack for the projectMetal MAME, in which images of original music in games in MAME is replaced by theheavy metal version. The group creates a video of the games with his music, such as video «Raging Storm» - is a tribute to Jesse Howard, in which much of the video game series Fatal Fury, pictures and video of the anime Fatal Fury.
Band Kiuas
Info: The New Dark Age
Style: Power Metal
Years: 2008
Info: MP3 CBR 320 kbs
Info: 119.3 Mb
Info: Finland
Tracklist:
01 - The Decaying Doctrine.
02 - Conqueror.
03 - Kiuas War Anthem.
04 - The New Dark Age.
05 - To Excel and Ascend.
06 - Black Rose Withered.
07 - After the Storm.
08 - Of Sacrifice, Loss and Reward.
09 - The Summoning.
10 - The Wanderer's Lamentation.
Switzerland's Rizon is a big band, really, two vocalists, male and female, two guitarists, keyboardist, bass, and drummer, producing rather bombastic melodic power metal. Masquerade is their third album, the first with new female vocalist, Seraina Telli.
Above, Rizon: men in black surround girl in red.
Being my first experience with Rizon, my suspicions were aroused about the relationship of the male/female vocals. Would they be gruff male vocals (read death or 'core') challenging the siren sound of the female vocals. Thankfully, not. Both sing clean. Generally, the Matthias Gotz has the lead role, with Telli supporting in harmony, as on Sigh From Eternity or the very pleasing Remotion. Sometimes, she gets to step up as on Tears of the Sun. Ultimately, the vocal partnership is annealed by the sound vocal arrangements.
As to the music, Masquerade is generally rousing traditional heavy metal, with good melodies and notable hooks as heard on Same Same or Rise On. Guitar work is at a premium, and there's enough appropriate synth solos to suggest they don't exist only for accent. Several songs are longer, including Rise On, Out of Nowhere and Lost in Silence, allowing Rizon to stretch themselves, even seem epic at times. The album also contains El Dios, a song sung in Spanish.
With 13 songs, Masquerade is quite the platter of melodic heavy metal to digest. By the time you get to Cold Winter's Night or Time After Time, you may suspect a little redundancy and, then, wonder if it couldn't have been trimmed down by one or two songs. But in the end Masquerade is solid and entertaining album, good European melodic power metal. Recommended.
1. High Flyer
2. Sigh From Eternity
3. Masquerade
4. Tears of the Sun
5. Remotion
6. Same Same
7. Rise On
8. El Dios
9. Out of Nowhere
10. Cold Winters Night
11. Time After Time
12. Lost In Silence
13. Bells
It's been 6 long years since Finnish 'Horror Metallers' Domination Black's second album titled Dark Legacy, was released. Then in the end of 2009 the band lost their original singer Kapa Killgast and started a desperate search for a new vocalist. Eventually a guy called Matias Palm (known also for his other bands Heavy Metal Perse and Merging Flare) was found to replace Mr. Killgast and Domination Black were ready to kill again – at least with the new stuff they had so intensely managed to rehearse for their upcoming third record, which was baptized by the somewhat mind-tickling title Dimension: Death.
Domination Black's ex-vocalist Kapa Killgast was a great singer, often being compared to Tim "Ripper" Owens, but so is the band's new vocalist Matias Palm. Two great vocalists with two whole different vocal approaches, so suffice it to say there's no point to start comparing them to each other. What comes to Domination Black's third album, well it truly is different music-wise compared to the guys' two previous full-lengths but that doesn't mean they would have sold their souls at the altar of commercialism to gain more listeners to their side or anything like that. What Dimension: Death actually is, it's undoubtedly a more mature, refined and thought-out package from the Domination Black camp, there's not even a question about that. Musically the band has slipped a bit away from their heavy, Thrash-oriented Heavy Metal sound and added a remarkable amount of prog-ish elements into their current sound on Dimension: Death. The album sort of reminds me of what Dream Theater did on their Black Clouds & Silver Linings album, even if Domination Black use all those progressive elements more like a welcomed spice within their songs more than feeling an urgent need for getting credit as some full-blooded progressive Metal band, which they obviously are not – and should not ever be.
I would also say it's a really brave attempt from the guys to open up the whole record with the album's most epic and lengthy song called "Legacy of Fears", lasting over 10 minutes, but then again, the guys have succeeded in capturing all the right and essential components into this song in order to keep it interesting and variable enough. In "Porter at the Gates of Hell", which is one of my personal favorites off the album, Matias uses his whole capacity in a great way, at times managing to sound a lot like Rob Halford at his sixties. Guitar melodies in this particular song give a reason or two to believe the Murray/Smith span ain't anything new to the guitar span of Domination Black, Wiren/Heiskanen (start listening from the 2:32 and 3:28 minute marks - and again from the 4:10 minute mark). "The Final Sigh" is a straightforward and thrashy tune, accompanied with Matias' very Halford-like vocal approach, which gives its favorable and necessary kicks for me at least. "Angel Dark" slightly reminds me of some epic and pompous Tarot song, while a very catchy "Evilizer" twists my finger from finding this well-worn repeat button from my stereo system. The ending of the song is very Priest-like again mainly due to Matias' raspy, high-pitched screams.
I must confess I had my own fears as to how Domination Black's third would turn out to be like without their ex-vocalist's presence as an integral part of the band's sound. Thankfully all those fears have been wiped off now by the performance of the new vocalist and his band mates. Will this record become Domination Black's own breakthrough album? Time will tell...
01. Legacy of Fears
02. Passage of the Dead
03. Porter at the Gates of Hell
04. The Final Sigh
05. Dimension: Death
06. Cold Touch
07. Angel Dark
08. Evilizer
09. The Hellbound
Download
album
Mads, Trond and Martin Preisler-Ronal The Barbarian (2011) OST-SINGLE
Feb 16, 2012 14:17
Hard Rock Heavy Metal |Power Metal
BandMads, Trond and Martin Preisler Info: Ronal The Barbarian OST Style: Power Metal/Heavy Metal/MHR Years: 2011 Info: mp3 CBR 256 Info: 10 mb Upload: unibytes gigabase depositfiles Info: :Europe
?????? ???? ?????????? - Mads, Trond & Martin Preisler.Cool!
Band Frozen Tears
Info: Nights Of Violence
Style: Heavy Metal
Years: 2007
Info: CBR 320 kbs
Info: 132,30 Mb
Info: Italy
Tracklist:
01 - Instability.
02 - Queen Of Solitude.
03 - Heart Of Stone.
04 - Don't Waste Your Time.
05 - Who Am I.
06 - The Fortress.
07 - Stories.
08 - Child's Prayer.
09 - The Prison.
10 - Run If You Can (Bonus Track).
Rip By: Nekrologist
Download :
Unibytes.com
Skylark – Twilights of Sand (2012)
Feb 14, 2012 00:42
Heavy Metal |Power Metal
You want a good laugh? Take a look at the CD artwork and video trailer for this album. It’s beyond bad. It’s embarrassing. And it’s not the first time – so chances are it won’t be the last. That's the bad news.
The good news is that this new album is yet another musical masterpiece from one of the greatest heavy metal bands on the planet. I kid you not. The band that once upon a time was the byword for bad production and bad accents is now a legendary beast that people will write about one day. But for now it’s just me telling it like it is. So here’s my take.
Skylark quietly transformed into a female fronted outfit a couple of albums ago now. Somewhere between the last album and this one they lost Kiara (their leading lady). Not sure what happened, but since this is metal we’re talking about – it probably wasn’t nice. Anyway, enter Ashley. She’s American. And she can sing.
So with Ashley on board, the accent issues stay dead. Well sort of. Here and there the lyrics continue to be sung exactly as they’re written, even when the grammar just don’t add up. Maybe Ashley is too nice to say anything. Well I’m not. My message to the band is that if you’ve got an English speaker in the band, then for the love of God get her to do a spell and grammar check. Please.
“The Tears Of Jupiter” is a tiny little teaser of a song that kicks things off with everything you except from an Eddy Antonini masterpiece. It’s got grand piano to burn and a hook that does snatch and grab like a crim wanted in three states. And there’s probably no better introduction to Ashley as the new voice of Skylark. She picks up right where Kiara left off with a dark but powerfully crystal clear register. I like.
Track two is an unexpected cover of a catchy little theme song from a cult Japanese anime cartoon. No big deal except that it lets me bring up that it also features one of a truckload of guest singers that appear on this album. I won’t go into details, but you’ve got opera singers, rock vocalists – and even Eddy himself singing away.
“The Princess and Belzebu” is an obvious nod to the epic story Eddy has told over the years. And in keeping with that tradition, you get a speed metal rush of melody and neoclassical breaks that would break a lesser band. And things have only just started. “She” and “Love Song” ensure the headbanging doesn’t let up even when the words on the page look a little soft. Look closer. Eddy doesn’t write soft.
If the album openers are a speed metal brush with symphonics, then the middle tracks are a symphonic brush with speed. That means the canvas just got bigger. Even when the songs aren’t long, the delivery is bigger and the melodies more epic. That’s how a song called “Tears” rips the heart out of what could have been a ballad to carve a hailstorm of hurt out of a double kick explosion of piano and shredding.
For a minute there, “Lions Are The World” seems like an almost pointless make over of a song they did well enough a few albums back. And then the last 3 minutes of the song happens and you realize this is what it was always meant to sound like. The new arrangement is terrifyingly grand. Think lots of voices. Think instruments at war. And then think bolting through a minefield with a blindfold on.
“The Wings Of The Typhoon” and “Mystery Of The Night” turn up towards the end of the album – and you really have to feel sorry for new singer Ashley and long time guitarist Romani. Both chip in with a song each, but neither ever really stood a chance against the crushing melodic genius of Antonini. In the case of “Mystery Of The Night”, this one song alone is as good as the whole album. Which is saying something when chances are this is the album of the year for 2012. That’s right, I’m saying that with ten months to go. It’s that good.
01. The Tears Of Jupiter
02. Tobe! Glendizer
03. The Princess And Belzebu
04. She
05. Love Song
06. Tears
07. Lions Are The World
08. The Wings Of The Typhoon
09. Sands Of Time
10. Mystery Of The Night
11. Road To Heaven
12. Believe In Love
13. Follow Your Dreams
14. EyesJapanese bonus tracks:
15. Tobe! Glendizer [Karaoke version]
16. Faded Fantasy
17. Follow Your Dreams
