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Band Nightmare
Info: France
Info: The Burden Of God
Style: Heavy/Power Metal
Years: 2012
Info: Lossless/FLAC (image+.cue,scans)
Info: 435 Mb

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Kemilon are a six-piece band formed in late 2007, that first saw the light of day in Sherbrooke, QC with founding members guitarist Chris Geoffroy and his brother Carl on keyboards. After a few member changes along the way, the band settled on their permanent line-up and recorded their debut album, Twisted Storm, in 2011.
Twisted Storm is produced and recorded by Kemilon guitarist Louis Jacques at Shreds Up Studios in Magog, QC, and the mix was handled by Adam ‘Nolly’ Getgood (PERIPHERY, RED SEAS FIRE) under the direction of Louis. The album was mastered by Peter In De Betou at Tailor Made Productions in Spånga, Sweden (AMON AMARTH, DARK TRANQUILLITY, MESHUGGAH, OPETH, etc.) last October.

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amazing...now

“Ein” is the debut album of the Norwegian band RUDHIRA that has came to life in 2010. RUDHIRA plays a progressive kind of Dark Metal as stated by them and I have no reason to disagree with that. RUDHIRA in Sanskrit means blood but I didn’t manage to confirm that the band is named because of that. Starting from “Ein”’s cover, it reminds me of Dune but other than that I think it is mediocre. Concerning the record there are six songs that go on for approximately 40 minutes. The songs have lots of tempo changes and structures with blast beats, calm parts, sitars, galloping riffs and even some core elements. The vocals are usually clean but there are occasional Death grunts here and there. The production of the record is appropriate and enhances the overall effort of the band. The compositions have some very nice ideas but there are parts that are dull and have no reason of existence. The clean vocals are not fitting and don’t help the songs as there is no emotion within. I have mixed feelings about this record and I think in the end that the band has nothing fresh to offer. Even the ideas that they borrow could be used better. They should work more on their next release if they want to go further and not be just a local live established band.

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???????????: Iron Clad
??????: Lost In A Dream
??? ??????: 2002
????: Heavy/Power/Folk Metal
??????: Belgium
Info: MP3 CBR 320 kbps
Info: 105 ?b
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now..

2012, Fads and fashions may change on a yearly basis but class is timeless. The Danish boys have been delivering their brand of Progressive Power Metal for twenty years and this ´Best Of` compilation takes us on a journey through the 1990's era of recently restored vocalist D.C. Cooper, an era which arguably saw the band gain their best commercial success and possibly produce their finest work. Remember albums such as CLOWN IN THE MIRROR and MOVING TARGET and not to mention the almighty opus that was PARADOX all represented here. It's easy to forget how big these guys were in the 90's especially in Japan and mainland Europe, with album sales in excess of one million units these guys certainly know what they're doing.

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Band Evil || Sortilege
Info: Evil's Message (1984) || Sortilege (1983)
Style: Heavy Speed Metal || Heavy Metal
Years: 1999
Info: CBR 320 kbs
Info: 103,70 Mb
Info: Denmark || France

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Band Lee Z
Info: Time Line (Japanese Edition)
Info: Germany
Style: Heavy Metal/Progressive Metal
Years: 1995
Info: MP3 CBR 320 kbps
Info: 108 ?b
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HEVISAURUS!Now!

"Dinosaurs playing heavy metal to the kids". That was the concept that Mirka Rantanen (drummer of Thunderstone) came up with a few years ago, and HEVISAURUS was born. Two highly successful albums were released under that name, but last year things went sour between Rantanen and the band's label Sony. Lawsuits, dirty dinosaur suits and insults were flying all over the internet and media, and as a result, things are a bit complicated now. There are actually two dinosaur bands now touring and recording in Finland: Sony-owned Hevisaurus which includes the orignal vocalist and production team/songwriters and SAURUXET, Rantanen and the original live band with a new vocalist. Sauruxet were the first to release new material, and apparently the new monicker didn't alienate them from their audience - the band went straight to number two on the Finnish Top 40 chart this week. Without diving any deeper into the waves of controversy (or is it too late already?), let's take a look at the album...

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now...rrrhhhh

Besides the ordered EP of Caroline, the label Hyena Records has also sent us the latest album of Isäntä Meidän. The album entitled "Toinen Tuleminen" [The Second Coming] represents, logically, the second release of the quintet from Kokkola/Finland. The album cover promises Metal and even though the press release specifies the genre with Heavy Metal and Heavy Rock, in the end it`s rather Power Metal than anything else - and thus it isn`t really my taste. BUT, the opener "Vapise Vanha Valta" has a nice intro, starts in a strong way and the chorus knows how to please even a non-Power Metal fan like me. The guitar sound on the second track "Mies" is intoxicating as well. The dramatic shouts - which are typical for this genre and appear besides "Mies" amongst others on "Mestarin

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Power Metal served up, ready to rip flesh from bone! Feat. Members of Savatage, Tokyo Blade and Jack Starr's BURNING STARR. "This band has the makings of a metal all-star lineup!" - Metal Inquisition Mag. Likened to Judas Priest, Queensryche and Savatage

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Band Circus Maximus
Info: Nine
Info: Norway
Style: Heavy Progressive Metal
Years: 2012
Info: MP3 CBR 320 kbps
Info: 129 ?b
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Info: afgan

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Candlemass is one of the pioneers of doom metal, releasing one of the seminal albums in the genre back in 1986 with Epicus Doomicus Metallicus. A quarter century later the band has recorded what they say will be their final studio album, Psalms For The Undead. They still plan to play live and be around for their 30th anniversary in a couple of years. If this does end up being their swan song, it is a solid farewell. Reviewer Natalie Zed describes it as "unquestionably the finest of their most recent three releases, the work of seasoned musicians, with experience and craft now in place of raw talent and drive. The album is aware of itself, in the context of classic doom metal, seems to know exactly where it fits."

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