Jul 24, 2012 18:59
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Wrapping your head around Spiral's music isn't all that difficult. But their vivid imagination, that could take some time and resolve. This prolific duo, which has released nine singles and seven albums since 2009, brings atmospheric and ethereal prog rock, near to early space rock. As for the stories or concepts, let's just say that these guys think, well, differently.
At the very least, Aaron Frale (g,v) Chris Boat (b,k,v) are sci-fi geeks, or better imaginative fiction wonks. The story behind Mind Trip in A Minorcertainly flows from the latter. At the Bandcamp link, you can read more about a man traveling in his own mind, or not, finding a beast who eats his own heart, a snake that 'takes half of what he gives,' and girl who seems to save our hero, or not, from the same.
Jul 24, 2012 14:25
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2012, OZ has always been one of the bands that only the underground metal movement coveted and hailed with swords high, but they never really caught on to a more level playing field of recognition. They made a splash with their 1983 album FIRE IN THE BRAIN, a New Wave Of British Heavy Metal-flavored energetic metal affair that won over critics and fans alike. The subsequent albums, however, failed to elicit the same response, and the band faded from worldwide view. Now the band is back with their latest album BURNING LEATHER and a new compilation of songs taken from III WARNING and DECIBEL STORM albums, and TURN THE CROSS UPSIDE DOWN- EP entitled VINYL TRACKS.
The Gin Act is the second shot for the Swedish sleaze band formed by singer John Elliot (their first being 2010's Lights Out) and hell... this EP slips down well.
First on the rocks is "Divine 69" with its twin axe attack, gang vocals and contagious chorus. "Delightful Lies" opens with an ironically mournful riff before theMaidenesque "Flickorna Pa TV2" (surprisingly written by a member of Roxette!) makes life a little heavier, nastier and definitely darker. What hits me throughout The Gin Act is melody -- and believe me it's served up in double measures. Elliot's diction is perfect, his sleazy delivery definitely West Coast, whilst guitarists Daniel and Blomman trade spacey power chords and fills with restrained and beautifully constructed solos. The rhythm section is heavy but subtle, making these guys tight but loose -- and I'm converted.
01 Crush of Love
02 Train of Angels
03 Lotus Feet
04 Love Thing
05 If I Could Fly
06 Hand On Heart
07 Lights of Heaven
08 Whispering a Prayer
09 Blood and Glory
10 Liberty
Gothic Knights – Reflections from the Other Side 2012
Jul 21, 2012 14:34
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The band’s new CD, “Reflections from the Other Side” is going to be officially released worldwide on Tuesday, July 10, 2012 through InnerSphere Music! It will be available as a jewel case CD through various online merchants as well as your local metal CD retailer. It will also be available as a digital download through iTunes, Amazon MP3, Rhapsody, e.t.c.
We look forward to unleashing our latest effort as it contains the band’s darkest and and heaviest tunes to date! So get ready for some killer guitar and bass riffing, insane lead guitar shredding, and incredible singing and screaming!! And let’s not forget the double bass drumming, cause there is tons of it!!
Jul 18, 2012 15:36
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One can say that there are no surprises left for us in music. We seem to have heard everything and everyone in all possible combinations and styles. Modern music lovers are very well-versed and it’s not an easy thing to surprise them. We live in the age where no pure genres are allowed though the mastery of performance is valued more than ever, people tend to mix and blend everything, change styles, try to collect the most distinctive features of each and make something original and truly eclectic. We know many bands combining heavy-metal with electronic and synthetic sounding, experimenting with folk instruments and very often a band sticks to the one chosen. So TRI STATE CORNER displays the similar situation: a bouzouki, which sounds much like an acoustic guitar in the Spanish style defines the approach of the band and becomes “the feature”. But it does sound original and sophisticated and I wonder why no one played like that before.
Child prodigy develops into as serious guitar wizard could be the headline for Johan Randen's very young career. At age 12, he played guitar with Sweden's eclectic prog trio Freak Kitchen. At age 14 he cut his first album, at 17 a second. Along the journey Randen performed with the likes of Bronk (Staffan Astner, Per Lindvall, Sven Lindvall), Janne Schaffer, Simon Andersson (Pain Of Salvation), Andreas Brobjer (Lady Gaga), Jonas Reingold (Flower Kings, Karmakanic) and many more. Cripes! Did this kid ever take time to watch Power Rangers?
Even the most cursory listen to his third album Summary reveals Randen's skill and genius. He's not only an exceptional guitar player, echoing everybody from Steve Vai to Jeff Beck to Steve Morse, but also an excellent composer. Every song displays his skills in an attractive arrangement, offering a complete experience.
Jul 16, 2012 12:55
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2012, The sound of these five maniacs is typical for old German Heavy/Speed Metal-bands, like e. g. Steeler (STEELER and RULIN' THE EARTH), old Stormwitch, Fact or Atlain. The guitar-sound is typically raw for that time. They all were simply-structured, but effective (the songs of the METAL OR WHAT???-demo for all senses!). But they never get boring or stupid! The vocals of their singer Thomas Bennecke sometimes sound a bit weird but never disharmonic, so this unique style is what true fans of that kind of music want to hear, because bands like Reaper still keep the underrated Metal-movement of the past alive. All the music was remastered by Sasch Menschl without losing the spirit of the old recordings.
Jul 15, 2012 18:50
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Braveride was founded by Marios Christakis (guitars and orchestration) in 2004 inspired by the early works of Manowar, Warlord and Bathory. This Greek band is a combination of Rhapsody of Fire, but then slower and a lot of folk metal.
They also create a sound that sounds a little old fashioned. Indeed Warlord and Manowar influences can be heard in their music. Flute tunes, big orchestral parts in mid-tempo songs is what they serve. In the second track I even hear similarities with the folk parts of Heidevolk. The keyboards are done by Karlos Vigato (Philharmonic orchestra of Veroaia) and female guest vocals are by Gaby Koss (ex-Haggard).
On the new album, Feels Like Freedom, Jimmie assembled a top-notch, creative team of award winning writers and producers to continue his family's legacy. With an innovative, cross-over sound, recorded at Nashville's historical Sound Kitchen Studios, Jimmie continues to carry the torch of the Van Zant legacy with a new generation.
The album is generating a lot of buzz within the entertainment industry attracting participation from CD Baby, Sony/RED, Megaforce Records, MoonPie, DiscMakers, Super D, and CMT.
In 1979, when Adam Bomb was 16 years old, he and Geoff Tate started a cover band called Tyrant. Later he joined the band TKO, with whom he recorded the album In Your Face.
California
In 1980, at age 16, Bomb auditioned for Kiss.[1] He flew to Los Angeles and played three songs with them, but was not invited to join the band. Instead, he moved to Hollywood and shared an apartment with Jeffrey Isbelle, better known as Izzy Stradlin. Bomb quickly became friends with Tommy Thayer, a neighbor and guitarist for the rock band Black N' Blue (now guitarist in KISS), who suggested Adam should do his own project and call it Adam Bomb. Tommy Thayer's band "Movie Star" opened for TKO at The Showbox in 1981. In 1983, Adam recorded his first demos with producer Rick Keefer.[1] He also played two gigs with Steeler as a replacement for Yngwie Malmsteen. One year later, Adam recorded more songs with the aid of drummer Chuck Ruff of Montrose and bassist Cliff Williams of AC/DC and finalized his first album, Fatal Attraction.[1]
2012, Finally reunited again with their original singer Michael Sadler, Saga release their ultimate AOR/progressive rock album, called 20/20. Their musical style is defined by prominent guitar riffs, often in harmony with a synthesizer, and complex keyboard arrangements. With striking keyboard sounds and Michael Sadler's stunning vocals, the album has all that it takes to become an instant fan favourite as well as a worldwide hit. The opener ,,Six Feet Under" features a dominant keyboard sound, roaring guitars and a chorus you can't get out of your head. Followed by the catchy, high energy driven ,,Anywhere You Wanna Go", Saga clarify that their original trademark sound is still going strong. The emotional ballad ,,Lost For Words" once again demonstrates Sadler's incredible vocal range.