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Now...

American Dream include 11 new tracks, the band are working with Bruce Witkin, Ryan Dorn and Carlos 'Apple G' Orellana in a co-production effort. Vocalist Ron Young recently checked in with BW&BK and offered the following update: "The new album will be up for sale in about three days on iTunes, two weeks from our website, and in about three to four weeks from distributors. The more people that start playing it and hearing it, the better!"

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now...exclusive

Formed amidst the Steelworks town of Corby, Northamptonshire, their very own first chapter was born: ‘Chapter One’ and set the scene for Viking Skull. Top notch reviews were abundant and a landmark 11/10 review from Metal Hammer lead the band to secure a busy touring schedule supporting the likes of Alice Cooper, HIM, Clutch and Dio! 2005 saw Viking Skull release ‘Born in Hell’  but we believe a bottle or two of Absinthe is to blame for what then became a two year break… isn’t it always!

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Now...From Germany

No doubt POINTERS HEAD belongs to the live bands, they not only open a barrel, they shut it again! And they do this with an intensity that all immediately makes it clear in which direction it goes: next! After ten years finding, patience, development and hard work, place 2 in the category ' hard'n'heavy of the "German Rock & Pop Award can 2006" and successfully seasoned European Tour 2008 with L. A. Guns, POINTERSHEAD enters now, perfectly positioned, the entire world with the concept album "Worst Case SOCIETY" into the socially battered face. With a remarkably rich sound, distinctive 80he influences and a brimful scoop of pressure, recruited POINTERS HEAD evening for evening tirelessly supporters of the head army. It shall be closed to focus these days on a world, which overruns us again and again with pursuing crosses. POINTERSHEAD takes degree and hits the bullseye. And the head army moves with "Worst Case Society" through the countries and mobilised to cogiatation and dissenting.

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Now...

The last Steve Cichon album I heard was 2010's "Cranial Feedback", a release that was full of skill and technique, but ultimately not that exciting. New one "Heavy Sleeper" is a similar beast, though fortunately the adrenaline levels are pumped up several notches making it a lot more then mere background music.

The sound is still a combination of jazz, prog metal, hard rock and occasional electronica, but a lot more effort has been put into the variety and the spunkiness of the rhythms this time. Gone are the stupid live crowd effects, gone are the very fake drums, being replaced by fake but considerably better percussion sounds. The result is enthusiastic, interesting and a lot more energetic than the guy on the artwork.

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Now...Like a Guns n Roses, Motley Crue ,The Doors

 John Vlasic was raised in Detroit, Michigan and currently resides in Denver, Colorado. Playing guitar since childhood, John was influenced through a variety of rock musicians spanning throughout the decades. From an early age, he trained himself in classic rock and blues guitar while studying the persona of rock idols. John's music portrays diverse themes of emotion spanning from the heavier guitar-driven title… 

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Now...

BLACK WIDOW, the ground breaking, occult, orgiastic progressive hard rock group who were banned by the BBC and besieged by religious nutters when they originally emerged in 1970, return to the Sabbat in 2011 with a brand new studio album, Sleeping With Demons, released on October 31st, distributed by Cargo Records.

Sleeping With Demons, which marks a massive return to the black magic roots Black Widow know so well, is packed with anthemic rock songs, huge chants, soaring hooks, and a story line with a host of new black magic stories to tell. Written, performed, and produced by Clive Jones and Geoff Griffith, Sleeping With Demons also features special guests Tony Martin (lead singer with BLACK SABBATH from 1987 to 1997), Kay Garret and Paolo ‘Apollo’ Negri.

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4 Sleaze Now...

After working in the music- and entertainment business all their lives, Steven, Kim, Johnny and Joe Sleaze decided that it was time to fully commit to the sleazy, glammy, punky rock n' roll that they had grown up with and that they love. With influences such as Guns N' Roses, Mötley Crüe, AC/DC, Kiss and the Ramones as well as Green Day, Foo Fighters and the Backyard Babies the band focuses on energetic live performances and strong, hooky choruses. On their very first gig they supported Hardcore Superstar and their third gig was at the Sweden Rock Festival! Sleazy Joe released the debut EP "Rock Star" in 2007, and now the fullength live CD/DVD "Close Enough For Rock N' Roll... LIVE!" is finally here

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Here's another first for April, Juggernaut is my first experience with Texas metal band All Too Human. It appears that this album has been sometime in the making. We last heard from the band in 2002. The core members remain: Clint Wilson (g), Maurice Taylor (b), and Chris Lucci (d). They've borrowed Gordon Tittsworth from Images of Eden on vocals. (Lucci also plays drums for Images of Eden.)

With one spin I'll admit I was skeptical. Juggernaut is a rather diverse and dark album. To the former, you'll hear a variety of influences informing the prog, including traditional heavy metal, power metal, and modern hard rock. As to the latter, the heaviness unleashed here gives the album a weighty brooding quality. The best pieces are the bookends of the title track and the revamped instrumental Arrythmia, from 2002's Entropy.

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Now !From Sweden...

This is blues rock guitarist Sannetorp’s third album. Mats is a really good blues rocker with songs in the vein of Bo Wilson, Gary Moore (the blues era), at times with a southern touch. Sannatorp is a Les Paul guy, so no Hendrix comparisons here. The music is quite classic blues rock with dark and quite depressive lyrics, half in English, half in Swedish. If his guitar playing is quite flawless, the vocals are unfortunately not. The voice is decent, but the English pronunciation makes me cringe, I’m afraid. Even though most blues players have a hard time letting anybody else interpret their lyrics, Mats would really benefit in doing so. It’s actually way better when he sings in Swedish, even though it’s all quite straight ahead with no real bluesy feeling in the vocals. As I said, the guitar playing is way more

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Band Mandrake Root
Info: Sweden
Style: Hard Rock
Info: Tales of the Sacred
Years: 1996
Info: MP3 CBR 320 kbs
Info: 117.6 ??
Upload: ?????
Time: Plotn08 (exclusive)

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now...

Italian rockers Ratzmataz have uploaded the title track from their upcoming debut album 'Global Revolution', due to come out on April 2nd via logic(il)logic Records.
Ratzmataz was founded in April 2006 by the great passion for rock 'n' roll shared by Martino Pighi (drums) and Loris Marchiori (guitar and vocals) over the last ten years. With the addition of Diego Franchini (bass and background vocals), the trio worked hard on song-writing, unwilling to be labeled as a cover band, and the first eight tracks were finished in less than one month.

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2012, End of September is definitely one of the most promising bands from Scandinavia at the moment. This young band shows with their debut album that they know how to create fantastic, memorable songs, and perform them to perfection. They have also been able to successfully create a mix between melodic metal and more modern metal that not many bands have. With the well-crafted and intelligent song-writing of Erik Tordsson and the smooth and emotional vocals of Elin Redin, End of September is a force to be reckoned with during the coming years. The band is hungry to hit the stages around the world, and is destined to make it. Perfect for fans of Evanescence and Within Temptation.

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Now!Exclusive...

Roger Water’s lead guitarist Dave Kilminster

It takes some guitarists a life time to win the respect and acclaim of their peers, but not Dave Kilminster. He was named Guitarist Of The year in 1991, as a relative unknown, taking his first steps in the music industry.

It wasn’t Kilminster’s back catalogue of hits or his world renowned live show that captured the imagination (he didn’t have any of that back then; he was still working for IBM), he simply took the critics’ breath away with his playing style and technique.

The magazines weren’t the only ones to get behind him; he soon found himself invited to teach at the Guitar Institute in Acton. From that moment onwards Kilminster’s career would begin to blossom leading him to tour the world with his heroes Keith Emerson and Roger Waters.

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