The band was created in 2009 by Steven Francis, Emmanuel de Saint Méen and Lorraine Young, and released its eponymus debut album in September 2010.
Their music can be classified as Crossover Prog (or Art Rock) according to the ProgArchives gurus [2] and has been found to be close to a female fronted Porcupine Tree [3]. It has received considerable attention from its release, with notable reviews from Ravenheart Music [4], Strutter'zine [5], Music Street Journal [6], and is also "album of the month" at newears.org[7]. These reviews compare Delusion Squared's music to Porcupine Tree but also to Anathema, The Pineapple Thief, Ayreon, Phideaux.
Their debut work is a concept-album unraveling a dark sci-fi story in which a young girl, who was born in a post nuclear techno society, revolts against her condition (and the AI supremacy) and decides to give birth to a natural child. Due to copyright laws which extend to modified genes, she is found guilty of "gene piracy" and abandoned on the polluted outside. There she meets survivors, and becomes a spiritual guide to them, eventually starting a new religion.
The CD release is a dual sleeve digipack sporting a synopsis of the story. A digital release is also available. The album is a self-release, with no evidence that the band tries to get signed to a record label. According to an interview in Music Street Journal [8] the band is busy preparing a sequel to the first album. There is no evidence that the band has ever played live or will be going to.
Band Delusion Squared Info: II Years: 2012 Info: France Style: Cross Prog Tracklist: Mp3/ VBR~210kbps Info: 85,44 ??
You want a good laugh? Take a look at the CD artwork and video trailer for this album. It’s beyond bad. It’s embarrassing. And it’s not the first time – so chances are it won’t be the last. That's the bad news.
The good news is that this new album is yet another musical masterpiece from one of the greatest heavy metal bands on the planet. I kid you not. The band that once upon a time was the byword for bad production and bad accents is now a legendary beast that people will write about one day. But for now it’s just me telling it like it is. So here’s my take.
Skylark quietly transformed into a female fronted outfit a couple of albums ago now. Somewhere between the last album and this one they lost Kiara (their leading lady). Not sure what happened, but since this is metal we’re talking about – it probably wasn’t nice. Anyway, enter Ashley. She’s American. And she can sing.
So with Ashley on board, the accent issues stay dead. Well sort of. Here and there the lyrics continue to be sung exactly as they’re written, even when the grammar just don’t add up. Maybe Ashley is too nice to say anything. Well I’m not. My message to the band is that if you’ve got an English speaker in the band, then for the love of God get her to do a spell and grammar check. Please.
“The Tears Of Jupiter” is a tiny little teaser of a song that kicks things off with everything you except from an Eddy Antonini masterpiece. It’s got grand piano to burn and a hook that does snatch and grab like a crim wanted in three states. And there’s probably no better introduction to Ashley as the new voice of Skylark. She picks up right where Kiara left off with a dark but powerfully crystal clear register. I like.
Track two is an unexpected cover of a catchy little theme song from a cult Japanese anime cartoon. No big deal except that it lets me bring up that it also features one of a truckload of guest singers that appear on this album. I won’t go into details, but you’ve got opera singers, rock vocalists – and even Eddy himself singing away.
“The Princess and Belzebu” is an obvious nod to the epic story Eddy has told over the years. And in keeping with that tradition, you get a speed metal rush of melody and neoclassical breaks that would break a lesser band. And things have only just started. “She” and “Love Song” ensure the headbanging doesn’t let up even when the words on the page look a little soft. Look closer. Eddy doesn’t write soft.
If the album openers are a speed metal brush with symphonics, then the middle tracks are a symphonic brush with speed. That means the canvas just got bigger. Even when the songs aren’t long, the delivery is bigger and the melodies more epic. That’s how a song called “Tears” rips the heart out of what could have been a ballad to carve a hailstorm of hurt out of a double kick explosion of piano and shredding.
For a minute there, “Lions Are The World” seems like an almost pointless make over of a song they did well enough a few albums back. And then the last 3 minutes of the song happens and you realize this is what it was always meant to sound like. The new arrangement is terrifyingly grand. Think lots of voices. Think instruments at war. And then think bolting through a minefield with a blindfold on.
“The Wings Of The Typhoon” and “Mystery Of The Night” turn up towards the end of the album – and you really have to feel sorry for new singer Ashley and long time guitarist Romani. Both chip in with a song each, but neither ever really stood a chance against the crushing melodic genius of Antonini. In the case of “Mystery Of The Night”, this one song alone is as good as the whole album. Which is saying something when chances are this is the album of the year for 2012. That’s right, I’m saying that with ten months to go. It’s that good.
01. The Tears Of Jupiter
02. Tobe! Glendizer
03. The Princess And Belzebu
04. She
05. Love Song
06. Tears
07. Lions Are The World
08. The Wings Of The Typhoon
09. Sands Of Time
10. Mystery Of The Night
11. Road To Heaven
12. Believe In Love
13. Follow Your Dreams
14. EyesJapanese bonus tracks:
15. Tobe! Glendizer [Karaoke version]
16. Faded Fantasy
17. Follow Your Dreams
"Rick Manwiller spent 18+ years as the keyboardist/guitarist/vocalist for MCA Records' pop-rock band Dakota, who's premiere effort was 1984's Runaway (MCA 5503), co-produced by former Chicago drummer Danny Seraphine and famed top-shelf engineer Humberto Gatica.
Rick stayed with the band through the late 80's and 90's as the band released several excellent melodic rock CD's that got raves, particularly by the perennial lovers of melodic rock in the European and Japanese markets.
1. I Got This Friend
2. Tomorrow Is You
3. Little Bit Of Magic
4. Struggles With The Heart
5. Just In Time
6. Findin' You Tonight
7. Not Your Kinda Lover
8. If I Ever
9. One Last Look
10. What Does He Mean?
11. Mrs S
12. Too Good To Be True
Brigada Huesos – Brigada Huesos (2012) Maxi Single
Feb 12, 2012 21:53
Hard Rock
Fosy is a very loved and recognized both in his native Euskadi and in his adopted land, Catalonia. A restless ass and how easy is to find at any soiree but is giving everything on stage. Show your concern is passing through "La Banda Trapera", "The Furies", "turncoats" and "Gatekeepers" among others, coming to combine several bands at once,and now this "Bones Brigade", his personal project which does not leave too much of hisGatekeepers Dictatoriano Rock'n'Roll, but if he gives it a more Punk.The guy is a waste of energy that has to be channeled in some way, and in this album I had to do everything, composes the lyrics, the music and record all the instruments he is a guy..... although generous (and why not Bilbao is) and "may" (reluctantly, let's be honest) get a couple of taps around the great Jorge Reboredo (Snobs and former NCC).
To the Bones Brigade, Fosy is surrounded by a few figures that the R'n'R Punk andBasque, said Jorge, Mikel (Txorlitohead) and Unai "Jebi" (Last Government), which canlive McGiber as dangerous as a hardware store, capable of heating the cold environment of Vitoria, where he currently resides.
Prog duo Centric Jones has announced the March 6th release of its second album titled ‘The Antikythera Method‘, on Prog Rock Records. The band is influenced by progressive rock legends UK, Yes and King Crimson, as well as hard rock bands like Rush and Porcupine Tree and heavy metal band Dream Theater.
Centric Jones includes Chris Fournier and Tobe London, accompanied by an eclectic set of revolving musical guests. Chris plays bass, guitars, keyboards and electronic percussion, and Tobe plays drums, acoustic/electronic percussion and keyboards.
Fournier and London met in 2007 and discovered a shared goal: to create songs that broke through musical boundaries without sacrificing feel and an emotional connection to the audience.
Centric Jones released a critically acclaimed debut CD ‘Foreign Tea‘. When asked if there was a concept behind the new Centric Jones album Tobe had this to say: “I’ve always had a fascination with mechanical devices and gizmos. Of particular interest to me is the Antikythera mechanism – the ancient Greek mechanical computer designed to calculate astronomical positions. I’d like to go on and on about the thing, given the fact that it predates anything like it by about a thousand years. The most fascinating aspect of it for me would be its inherent rhythm. I picture all those handmade gears turning and churning in an amazing visual if not audible display of polyrhythmic wonder. Centric Jones loves to apply this as much as we can to our music. We call it The Antikythera Method.”
In support of their new CD release, Fournier and London are currently putting together a live show consisting of some of their favorite album songs combined with improvisations and some theatrics. The duo plan on performing locally on the Front Range of Northern Colorado in addition to some of the progressive rock festivals going on in the U.S. and elsewhere during the summer of 2012. They are also implementing a new recording setup in Tobe’s studio in order to more directly compose and trade tracks together.
1. Crushed (4:22)
2. Shadow Song (5:58)
3. All For One (7:13)
4. Boomer (6:10)
5. Dream In Threes (6:43)
6. Pyrrhic Victory (2:24)
7. Fading Time (7:11)
8. Morphogenic (6:24)
9. Save Me (6:31)
10. Then (6:05)
11. Pulse (3:22)
12. Antikythera Mechanism (7:03)
One of Kory Clarke's paintings featured in the artwork on this here cd is a 5x3 canvas of the Union Jack with the slogan 'God Shag The Queen' emblazoned across it. That's how punk rock he is and how much he doesn't give a fuck what anyone thinks. Always passionate and controversial whether it be his music, his art or his political views the Warrior Soul frontman has never been one to stand in the shadows, preferring to shout from the highest point to anyone who will listen.
'Opium Hotel II' is a collaboration with some of Kory's friends and artists such as Gary Hood who wrote the fantastic title track from the first 'Opium Hotel' album. He also wrote and played guitar here on the similar 'Masquerade Party' a simple, almost desolate sounding acoustic track that puts across a feeling of loneliness, it stands apart from the rest as did 'Opium Hotel' on the original.
'Opium Hotel II' like its predecessor is an outlet for all the stuff that doesn't fit in the Warrior Soul shaped hole, more experimental and arty. Lyrically he is still spitting at the USA and the government, that will never change until they make him president I reckon.
The album opens with 'A Message From Mr. Harris' a Government public announcement tape about recognising the early warning signs of drug dependancy, this segues into 'Best Birthday Ever' the first of several of his trademark spoken word pieces, this one shows the more gentle side of Kory's lyrics
First song proper 'America's New Cunt' is a verbal tirade describing Corporate America as a 200 year old bikini wearing slut,"Who's the new slut, America's new cunt" is the refrain, guaranteeing Kory no new friends in the government, not that he would want any! It ends with a "come on...CUNT" - who else can get away with stuff like that?
'Kiss On This' harks back to 'Space Age Playboys' era Warrior Soul; a fantastic slice of sleazy, punk rock it's fast and furious - I can listen to stuff like this all day. Lucky for me there is more of the same in the shape of 'Super Drug'; incidentally Kory plays the drums on both these tracks. 'Junky Stripper' is a dumb ass rock song, with a Rob Zombie like vibe, and there's nothing wrong with that.
Of the spoken word material 'I'm Your Pilot' stands out, with trippy beats as his back up Kory takes the helm and addresses his passengers - take his trip over Manhattan if you dare; let's just say it's an unnerving, bumpy ride.
The atmospheric and acoustic driven 'It's My Time', with its short and sweet twin guitar solo, and the tripped out 'Painting Space Ships', are more like vintage Warrior Soul to me. The only oddity that doesn't really do it for me at this early stage of listening is 'Paradigm', but only time will tell.
The production varies from track to track but it doesn't feel disjointed, it's a departure from the Warrior Soul albums for sure. An interesting collection of material; I guess it's a snapshot in a year of the life of Kory Clarke, and one that is well worth exploring.
On the cover of this cd it says "Parental Advisory: This Recording Contains Art" - a subtle dig at the powers that be and freedom of speech, it sure does contain art in many forms. Fans of Kory Clarke will love it as will fans of Warrior Soul, many others may scratch their heads and say "what the fuck?"...job done I believe.
www.facebook.com/koryclarke
01. Message From Mr. Harris 0:56
02. Best Birthday Ever 1:56
03. America's New Cunt 4:58
04. Kiss On This 3:38
05. Masquerade Party 1:42
06. Lusting And Devil's Death 0:53
07. Junky Stripper 4:27
08. Super Drug 5:06
09. Something Deserved 3:01
10. It's My Time 4:08
11. Painting Space Ships 3:42
12. Paradigm 4:38
13. I'm Your Pilot 3:52
14. Spain 3:07
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Arkgabriel – Arkgabriel (2012)
Feb 12, 2012 00:43
Heavy Metal |Power Metal
We have in our hands the first national launch of 2012. This is the eponymous debut album of the quintet Arkgabriel Madrid, a young band that shows in this issue an undisguised affection for melodic power metal and epic orchestral tints eleven cuts created mostly during the past 2011, but the last two CD dated to 2009. And certainly notice the difference between them, but curiously have pleased me more than the couple of older songs that I find in the strongest terms and freshness in the other nine most recent that I find somewhat hollow and artificial, despite show a clear evolution in their complexity and both compositional and instrumental technique.
Besides the five members of the band could be considered almost as a sixth member of the same Sergio Canovas, lead singer of the Order of Kaos that besides producing the disc correctly puts his deep voice with the staff and pompous of Juanky Alvarez on the topic "I feel," one of the cuts that I liked for his good vocal and instrumental melodies into a good rhythm changes creating a winning combination of power and melodic progressive metal that reminds me slightly soft to the longing Ankhara. Some Ankhara also represented on disk by the presence of vocalist currently Hybris, Pacho Brea, sharing vocal duties with the Justito Juanky and predictable "Miserable" good with outstanding guitar melodies Rasquin Giscard clearly on a power metalera but not as unequivocal as is his letter full of rage and anger, which is not to say that Jose Ramon Morales bassist and drummer Alberto Lopez do evil, but do not sound all that requires aggressive message.Completes the trio of collaborations with Dani Aller, Ars Amandi singer who takes his spot with his dull voice and flute arrangements folkie proper court as "My Last Sin" always on a power line and even metalera something sinister dark by the use of keyboards by Javier Hidalgo. In addition to the aforementioned "feel" the song that I liked from that of 2011 was "Is there anybody there?" Cut less pompous, more direct but not without attention to detail of keys and guitars, and shows Juanky voice somewhat forced. One detail that's too baroque vocal in my opinion I do make quite heavy at times melodic themes as the overriding rhythm "Acrobat" or the more lilting symphony and live "Navigator" which opens the album. Less pretentious and serious but I find in the nostalgic and sad "You're Still Here" quite monotonous feeling but in the harsh and gloomy "World of Pain", and the romantic ballad "You" adorned by a tormented arrangements Juanky orchestral itself that stand above its sustained, deep voice. Left for the final issues of 2009 have definitely been the ones I have arrived.
This is the emphatic and convincing "a bet" with a live rhythm bordering on thrash mostly by the sound of guitar and percussion without losing melody and heavy substance, and the soft "With Name Woman" that wraps the warm soft voice guitars Juanky to be growing in their instrumentation with a beautiful and intense guitar solo that breaks away briefly relaxed sugarcane. If these guys are able to properly mix your current technical quality with the strength and dynamism of the beginning I think they can start earning a metalhead staff consideration, for now I offer more insights than certainties, to continue working hard on that I think there's potential.
1. Navegante
2. Acróbata
3. ¿Hay Alguien Ahí?
4. Siento
5. Aún Estás Ahí
6. Miserable
7. Mundo de Dolor
8. Mi Último Pecado
9. Contigo
After a fantastic CD-Releas Party in Pratteln, we again devoted entirely to the songwriting.Also, the booking will continue to hit you properly to our Mucke in your town by the ears. If you have any ideas or knows someone of us would like to have in his bar, then get in touch with our booking .
[FROZEN ROOM] Hard Rock From Svizzera
BTW: buy buy buy!
1. Your Pain
2. You Don't See
3. Arise
4. What If
5. Shattered Lies
6. Intoxication
7. Get Away From Me
8. Don't Let Me Down
9. Media Insanity
10. Mindless Creation
11. Out Of Control
Venice Beach, California (USA) crossover thrashers Beowülf are self-releasing their sixth album on December 23, 2011, entitled Jesus Freak, produced by founding member, vocalist/guitarist Dale Henderson and ex-FEAR FACTORY guitarist, Christian Olde Wolbers. The tracks were cut at LiL’ Antwerp Studioz and Wolbers is credited as the engineer. It’s been a long time since the early breakout of this band during the mid 80?s from the legendary “Venice Scene”. They had their first album produced by ST’s Mike Muir and released via Suicidal Records. Flash forward to now, after several lineup changes, and this reviewer finds that Dale and the boys can still bring it with the best of them. Former ST bassist Louiche Mayorga is even thrown into the mix here, so any fan of the old school, true grit feel of “Taste The Steel” will simply love what they are throwing down today.
Personally, I think Dale Henderson has grown as a performer over the years and continues to push the envelope with his completely unique style of singing and songwriting. While others just go the safe route, this guy has always been daring, somehow managing to keep the Beowülf sound ‘real’ from a street perspective. However, let it be known that Henderson and Beowülf’s music has morphed over time into a much more serious and grown-up statement. The drum work from Rich Rowan here is solid. As always, Henderson’s guitar playing is mean as hell sounding… snarling punk-fast riffs, cutting to the nerve of its listener like a cold metal blade pierced into someone’s throat. My favorite songs are the totally rocking “Mad Man” and the absolutely stellar “Front Door Smoking”. On the latter I dig the way the bass line starts out alone and then Henderson’s guitar comes thundering in. Forget punk rock… that’s just plain metal. All in all, I am just stoked as hell that Beowülf is still going after all this time, and this reviewer seriously hopes everyone gives Jesus Freak a shot, because it’s a clever rocker indeed.
01. Peacemaker (02:16)
02. In Captivity (02:33)
03. Jesus Freak (04:11)
04. Front Door Smokin' (03:12)
05. Mad Man (02:38)
06. Godsend (03:03)
07. Sunday (Killer Comez Home) (04:18)
08. Righteous, Righteous (04:41)
09. Bitter Song (04:08)
10. Just Passing Through (03:54)
11. 13 Past the Hour (04:42)
12. Anything (02:05)
The Swedish / American combo OSUKARU finally hit the streets with their full length debut album "Salvation".
Based in Gothenburg, Sweden, Osukaru was founded by ex Eye / Katana guitarist Oskar 'Oz Osukaru' Petersson together with L.A. drummer Ryan Coyle.
They have already impressed the AOR community with the previous EP's 'GBG2LA' and 'Never Too Late', but when the band entered into studio to track down "Salvation", the singer left the band for personal reasons midway through the recording process.
But they found a more than adequate replacement in Chris Tiann (ex Dirty Dixx), as his powerful pipes and vocal tone really fits this material.
And what kind of material we have in "Salvation"? Just a wonderful bunch of fantastic classy AOR / MR tunes.
From the first sounds of the cool instrumental intro "Exit", you'll will be transported straight to the classic '80s rockin' AOR.
As on all the classic albums of the genre, the intro is chained with first track "Highway To The Stars," a huge radio friendly AOR tune to die for. The song hasn't a proper chorus, but the catchy refrain is driven by great rock-laden guitars and awesome keyboards.
Follower "Hot Blooded Woman" is more Melodic Rock oriented, with an insistent riff all over and a British scent. Same vibe is found on next track "City Lights", a re-worked song from the last EP, much more effective this time, thanks to Chris Tiann vocals to a great extent.
"Till The End Of Time" is the album's ballad, a midtempo filled with nice harmony vocals and a good melody that reminds me Danger Danger. A good one, although the production on this particular song doesn't match the rest, probably the music tracks come from a previous, different session.
"Never Too Late" is the first single, and one of the more melodic songs of the entire CD. This sweet melodic rocker has equal parts of guitar / keys, really well balanced to grab your ears instantly.
My favorite track on Salvation is the catchy "Change Of Heart (2012 version)". Appeared previously on one of the EP's, here clearly we can appreciate how much Osukaru has evolved musically. This is the best arranged and performed track of the album. It has all we love in a pure AOR tune; a fat bass / compressed drums, soaring vocals (reinforced by a dreamy background chorus), elegant guitar and phenomenal shynths. The even include a smooth saxophone line that adds more texture. A really great track and my pick of the album.
Then the band returns to the melodic hard rock sound with "Tear It Down". A marching rocker mounted over a very good drumming, strong guitars and swirling keyboards. On the chorus it turns more AOR 'fight-movie' style, bringing back the eighties in full form.
"Promised Land" is another winner, as this kind of AOR fueled by trepidating guitars and candy floss keyboards are gold in my book. The vocals are superb here, specially on the catchy layered chorus, and the rhythm guitar / solo are amongst the best of the album.
For the end, Osukaru goes acoustic and intimate with the likeable melody of "T.M.Y.S. [Elevator Version]", which is no other than a completely re-worked version of their song Tell Me You'll Stay.
As bonus, we have a good cover of Alien's classic "Tears Don't Put Out The Fire", recorded by Osukaru for the forthcoming "Brave New World: A Tribute To Alien" tribute CD.
I celebrate that in the mew millennium there's a band still playing classy AOR / Melodic Rock in its purest form. This is what Osukaru offers on "Salvation".
They have dramatically improved here the sound and musicianship from the previous EP's. This new vocalist is what the band needed and the arrangements really nails the point now.
In short, if you - like me - are a sucker for the lovely chorus/keyboard driven '80s AOR, you must have Osukaru's "Salvation".
Highly Recommended.
01 - Exit
02 - Highway To The Stars
03 - Hot Blooded Woman
04 - City Lights (2012 version)
05 - Till The End Of Time
06 - Never Too Late (2012 version)
07 - Change Of Heart (2012 version)
08 - Tear It Down
09 - Promised Land
10 - T.M.Y.S. [Elevator Version]
11 - Tears Don't Put Out The Fire (Alien Cover)
Oz Osukaru - guitars, backing vocals
Chirs Tiann - lead vocals
Emma-Lee Gunnari - bass
Ryan Cole - drums, percussion
Carl Dahlberg - keyboards, piano, Hammond organ
Guest Musicians:
Kristopher Von Wachenfeldt - keyboards
Erik Jardenmark - sax on "Change Of Heart" and "Promised Land"
David Neil Cline - right speaker guitar solo on "City Lights"
Alexander Strandell, Johan Bernspang, Martin Ryder - add. backing vocals
The Magic Eden String Quartet - strings
After going their separate ways in the late '70's Sebastian Hardie reformed in 1994 and performed a one-off concert in Los Angeles at Progfest '94. The show was recorded featuring tracks from their two classic albums ‘Four Moments’ and ‘Windchase’ and the cd 'Live in LA' was released.
In March 2003 Sebastian Hardie again reformed for a performance at The Metro Theatre, Sydney followed by a concert tour of Japan. Returning home to Australia, enthused and inspired, the band decided to record their third studio album. What followed were six new tracks and the album Blueprint
http://www.sebastianhardie.com.au/
1. I wish (7:43)
2. Vuja de (8:21)
3. Art of life (6:22)
4. I Remember (7:36)
5. Another String... (7:09)
6. Shame (3:22)
Band Alice Cooper Info: No More Mr. Nice Guy Live! Years: 2012 Style: Hard Rock Info: MP3 CBR 320 kbps Info: USA Time: concertlive ????? Tracklist: 98:09 Info: 224 Mb
This instant CD will be available to pick up STRAIGHT after the shows and if you’re unfortunate enough not to be there, you can still order this CD be delivered straight to your home. What better way is there to get in the mood for halloween then to celebrate with Alice Cooper and soak up the electric atmosphere of his gigs with this live recording.
According to ALICE COOPER fan site SickthingsUK, Concert Live has set a February 13 release date for "No More Mr Nice Guy Live", a two-CD remixed version of Cooper's October 29, 2011 show at London, England's Alexandra Place.
Concert Live, which enables fans all over the world to relive the experience with instant recordings of live gigs available within minutes of the last note being played, already released this concert as one of its instant live shows back in October, and the show has been aired on TV in both the U.K. and U.S., but this will apparently be a properly remixed version of this performance.
Tracklist:
CD 1:
01. The Black Widow (05:09)
02. Brutal Planet (04:57)
03. I’m Eighteen (03:57)
04. Under My Wheels (02:49)
05. Billion Dollar Babies (03:25)
06. No More Mr Nice Guy (03:03)
07. Hey Stoopid (04:26)
08. Is It My Body (02:46)
09. Halo of Flies (11:47)
CD 2:
01. I’ll Bite Your Face Off (04:41)
02. Muscle of Love (05:20)
03. Only Women Bleed (03:47)
04. Cold Ethyl (03:48)
05. Feed My Frankenstein (05:05)
06. Clones (03:54)
07. Poison (04:52)
08. Wicked Young Man (04:20)
09. I Love The Dead (02:20)
10. School’s Out (05:31)
11. Elected (05:10)
12. Fire (Jimi Hendrix) (with Arthur Brown) (05:35)
After a long wait, Cruz del Sur Music has finalized a new contract with PHARAOH for the release of three albums. “Bury the Light” is the first and much expected release of awesome metal in the typical style of this much beloved band!! It will be 10 news songs for a total of 48 minutes.
The sessions have some exceptional guest solos by Mike Wead (King Diamond) e Jim Dofka (Dofka).
PHARAOH’s “Bury the Light” will hit the streets on February 24th 2012 in Europe, and on March 6th in the United States.
We reached Matt Johnsen and Chris Black to ask some questions about the release, and to provide some comments on the album’s tracklist.
How do you think Pharaoh evolved in this new album?
Matt- We tried to add more textural elements to our songs while continuing to cut as much extraneous material as possible. The songs on this album are dense, but hopefully they never overstay their welcome. The basic template is the same as on Be Gone, but the album is less dark overall, and perhaps a little faster.
Any particular anecdote from the recording sessions?
Matt- This album took a long time to make, because shortly after the drums were tracked, our drummer and our engineer both became dads for the first time. Also, the vocals were tracked at my house while my son was only a year old. Thankfully, he doesn’t seem to mind Tim’s voice.
Do you think the fans will be ready for this new Pharaoh album?
Matt – I think anyone who stuck it out with us after we shed the remainders of our obvious Iron Maiden worship after The Longest Night will be happy with our progression on this album. It’s still crammed full of traditional elements, of course, but we’re not trying to be retro or old fashioned. We want to move melodic metal forward.
01. Leave Me Here to Dream
02. The Wolves
03. Castles in the Sky
04. The Year of the Blizzard
05. The Spider's Thread
06. Cry
07. Graveyard of Empires
08. Burn With Me
09. In Your Hands
10. The Spider's Thread (Reprise)
