Moscow's new EP of Heavy Metal

1.Tvoy city
2.Vot all!
3.Rubezhi
4.Zerkala

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PRETTY MAIDS is one of the greatest bands ever, and chances are good you’ve never heard of them.
I consider these Danish wonders to be one of four that are horribly overlooked in the USA. The other three are Talisman, Thunder and Harem Scarem.
Sure, there are other groups out there that are far more deserving of the recognition than they receive compared to 99.9% of the top 40 garbage, but all four of these bands are the most extreme examples of groups not huge phenom’s around the world.
And frankly, I think Pretty Maids is the band that tops that list.

How Pretty Maids aren’t at the level of success of Bon Jovi, Def Leppard or Journey completely baffles me. You will find no group that has more consistently released incredible music from their first album to their most recent.
They have a catalog filled with catchy and powerful songs, chock full of melody yet with a hard edge not found in the above mentioned mega-bands.
Musically you will find no pairing that meshes as well as the ever constant core of Ronnie Atkins and Ken Hammer. With Atkins you have a vocalist able to sing some of the most beautiful lines you can imagine then go into a growl that is intense, but not so grating as to detract from the songs. Match that with the guitar prowess of Hammer and you’ve got a musical duo that ranks as high as any other (I’m looking at you Jagger / Richards, Perry / Tyler, Schon / Steve Perry).

While listening to their latest release on Frontiers Records, an incredible career spanning live opus entitled "It Comes Alive", I hear these astounding songs like “Hell On High Heels”, “Walk Away”, “Yellow Rain”, “Future World” or “Savage Heart” and I ponder many things.
For starters, I would stand any of their songs up against any of the big hits of Bon Jovi and Def Leppard and will state clearly that there’s no competition. Pretty Maids has catchy songs full of more hooks, fantastic vocals, sing-along chorus’ than both those bands combined.

They can go from the hardest of rockers like “Red Hot and Heavy” to the sweetest of ballads with “Savage Heart” without missing a beat or losing the listener. And unlike both Bon Jovi and Def Leppard - and this is made obvious listening to "It Comes Alive" - that after 30 years in the business they haven’t changed what they do one iota yet remained true to their sound. A still sound fan-tas-tic.
Not to pick on either of those other bands, but they have some serious clunkers in their catalogs respectively. I also have no personal beef with either Jovi or Leppard, I consider myself a true fan of most of their material, but they’re still able to do big tours and sell records, while Pretty Maids is more or less unheard of after slogging away for three decades.
I’m sorry, but what the hell is wrong with people?

If it’s not clear that I am a rabid Pretty Maids fan, I’ll just say it straight out: I have loved these guys for many years now.
I remember just like it was yesterday the first time their video for “Future World” (from the outstanding '87 album of the same title) came on to The Headbanger’s Ball on MTV. The blazing guitar lick and the galloping keyboard melody had me from the first few seconds.
I immediately got the vinyl as import and played it repeatedly. Sadly, due to the fact that they barely made an impact on the scene, I didn’t know they had albums prior, nor was able to keep up with them until much later on.

"It Comes Alive" showed me beyond a shadow of a doubt that not only do the songs stand the test of time, but their actual performances are just as powerful and fresh as if they were a new band. And despite the fact that they’re not as huge as they should be, they have a devoted following as evidenced by the audience participation.
Ronnie directs the crowd to sing along, and from the word go the crowd is fully into it. He’s not forced to do the 'I can’t hear you!' shtick so many bands have to do to get the crowd going. The crowd is already singing along!
This CD is so incredible you almost feel like you’re in the crowd as well, singing along, even though you’re in your car driving to work.

I realize that live albums aren’t everyone’s cup of tea. I respect that. I don’t listen to live albums as much as I used to.
However, Pretty Maids' "It Comes Alive" is too incredible to miss. And I don’t think there was much (if any) touch-up work done on this album, as typically happens with live recordings. The sound and the vibe in this double CD is out of this World.
This is where all started guys. Pretty Maids were - and healthy are - one of the pioneers of the Melodic Hard Rock scene.
In short, regarding "It Comes Alive - Maid in Switzerland";
Q: Do you like classic, killer Melodic Hard Rock in its purest form?
A: You will be blown away.
Q: Do you dislike live albums?
A: You will be blown away.

CD1
01 - Pandemonium
02 - I.N.V.U
03 - Hell On High Heels
04 - Wake Up To The Real World
05 - Destination Paradise
06 - Another Shot
07 - Scream
08 - Walk Away
09 - It Comes At Night
10 - Queen Of Dreams
11 - Savage Heart
12 - Clay

CD 2
01 - Yellow Rain
02 - Rock The House
03 - Back To Back
04 - Rodeo
05 - Love Games
06 - Future World
07 - Little Drops Of Heaven
08 - Please Don't Leave Me
09 - Red Hot And Heavy
10 - Nightmare In The Neighborhood [iTunes exclusive Bonus Track]

Ronnie Atkins: Vocals
Ken Hammer: Guitar
Rene Shades: Bass
Allan Tchicaja: Drums
Morten Sandager: Keyboards

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Recently in the northwest German diaspora ... four not quite dewy figures met at 14.00clock for a social evening with Mr. integrated tea dance. This metamorphierte soon fortasty hops flower, topped by several herbal goodies, rounded off by a cheap gourmet grillplate, and with a modern music machine, which already handles pointing to the expirationdate, flanked befitting.
It has to warm up stiff joints, a silver lettering Scheib of the world famous King Babycombo thrown into the well, the neighbors were refereed and thus put the regulator onacute distortion.

Band Kingbaby
Info: Find My Way
Style: Hard Rock / Southern Rock
Years: 2008
Info: mp3 CBR 320
Info: 115 mb
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Info: :USA

Tracklist:

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Miami's "Vandal" were one of the three top draws during South Florid's club scene explosion in the late-to-mid 90's (the other two being Tuff Luck and Saigon Kick).

Strong vocals, catchy hooks, and soaring guitar solos were all trade marks of this beloved band. "It's Only Love" is exclusively available for digital download.

Track Info:
"In Your Eyes": This cut was recorded exclusively for the compilation release "Unsigned" (Stryder Records). The track was later re-recorded for their sole album release "Julian Day" (Alfa/Brunette - Japan).

"It's Only Love": This cut was recorded exclusively for the compilation release "Unsigned 2: The Dotted Line" (Stryder Records). The track was later re-recorded for their sole album release "Julian Day" (Alfa/Brunette - Japan).

"Helltown": From their 1997 release "Julian Day". This is the re-mixed version for the Japanese release of the album.

Tracks

01 - In Your Eyes
02 - It's Only Love
03 - Helltown
04 - Foolin' (Def Leppard Cover)

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1- everlasting my fate
2- ????-GALACTIC WING-
3- WHITE BLADE.
4- ?HIKARI?
5- Kasoufuyajou feat.YOW-ROW?GARI?
6- Levis est fortuna:
7- Tears
8- I'z
9- Bad City
10- Armeria
11- MILKY WAY DRIVER
12- B.I.O.S-????-
13- ????????? [Bonus Track]

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01. My Revenge
02. Rise Your Wings
03. Life & Death
04. Darkside Angel
05. Die
06. The Dark Must Fall
07. Tale About The Strangers
08. ?????? ?????

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Daniel "Sahaj" Ticotin (born April 5, 1969), is an American musician, vocalist, record producer, and member of the rock band, Ra.^[1] Sahaj was born to a Puerto Rican mother and a Russian-Jewishfather, the brother of motion picture and television actress, Rachel Ticotin. During a pilgrimage to India in 1992, he studied meditation and was given the name "Sahaj". He currently lives in Tarzana,California where he produces and composes for various artists.

01. To Make You Stay
02. Your Eyes, Your Eyes
03. I Fall Down
04. Another Minute
05. Come What May
06. The Willows Weep
07. She’s All You’ll Ever Need
08. If Only
09. Please Tell Me
10. A Hand On One Eye
11. A Lonely World
12. A Cool Fire
13. Walk Around The Sky

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Rating: 6.0/10 | There are albums that chronicle easier to others. In some cases, the qualities (or defects) are so obvious that it only remains to find the right words to translatethe impressions on paper. Such was not the case with "Ignition", debut albumPortuguese Flammarion.

The group consists of the binomial Migue Bruno and Luis Alfonso, ensuring both partiesof guitars, keyboards, vocals and programmed drums and spanning the composition ofsongs, all the more tantalizing duality that if Bruno Miguel said influenced by Dream Theater , Queensrÿche, Threshold, Edguy or Stratovarius, Luis Alfonso is mainlyattracted by groups like Pink Floyd, Genesis and Camel, without disdaining detours byQueen, Supertramp, Marillion, Toto and others.

Band Flammarion
Info: Ignition
Years: 2012
Info: Portugal
Style: Progressive Rock
Tracklist: Mp3/ 192kbps
Info: 105.96 MB

????????
01. Lost – 03:47
02. Look The Other Way – 04:51
03. Shooting Star – 08:56
04. The Arrival – 03:55
05. Look At Me – 08:02
06. Declaration Of Insanity – 06:30
07. Out Of Tune – 10:26
08. Never Letting Go – 05:33
09. Darkness – 06:36
10. Lost – 10:46
11. Sunrise Mists – 05:18

-Bruno Miguel
-Luis Alfonso

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Jordan Love is a new Christian music artist from Miami, Florida.  Jordan writes, plays, and sings her own songs and leads worship at her church.  Jordan’s first album, “uncomplicated”, was independently released on January 8, 2012 and includes some great new worship tunes.

Jordan’s website includes the following quote from her bio, “When she travels, she shares God’s love through Jesus and encourages youth to stand, uncompromising!”

Band Jordan Love
Info: Uncomplicated
Info: USA
Style: Christian Rock, Pop Rock, Female Vocal
Years: 2012
????Upload: 00:49:12
Info: mp3
??????? Time: CBR 320 kbps
Info: 103 Mb

Tracklist:

1. Psalm 1 (3:39)
2. But God (4:50)
3. In Between (4:22)
4. Crazy In Love (3:36)
5. Beauty In Me (4:05)
6. Drops of Rain (5:02)
7. Only In You (4:16)
8. Believe (4:45)
9. Leather Soul (5:15)
10. Uncomplicated (3:11)
11. Little Voice Inside (6:06)

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Sure, we had to wait for this quite a bit but the important thing is that it finally happened. Vocalist Michael Kiske and guitarist Kai Hansen, both of Helloween’s Keeper of the Seven Keys fame, joined forces in an actual band! Before this we could occasionally hear the two together on a couple of Kiske’s solo tracks or on Gamma Ray’s and Avantasia’s albums. But Unisonic is the real deal; around 50 minutes of pure rock-metal genius – a treat for everyone who appreciates the talent of these two nice ex-Helloween fellows.

Some might wonder whether Unisonic’s self-titled debut album is metal, which would be a dream come true for most Helloween fans, or perhaps hard rock-AOR that Kiske seemed to have preferred in the recent years, but such genre labels matter not if the material is as good as in this particular case. If anything, the fact that Kiske mostly composes rock songs and Hansen usually stays faithful to metal only adds to the overall value of the album. Unisonic is, therefore, not just a thunderball of great guitar riffs but also sports some beautiful melodies, thoughtful lyrics and, most importantly, enough song-writing variety to keep us redefining the album with each single track.

It starts off in the most anthemic way possible; the title track sweeps the listeners off their feet within seconds with some inspired guitar work and neck-wrecking rhythm, and then totally knocks them out with a powerful chorus. The next several songs – electrifying “Souls Alive,” optimistic “Never Change Me” and relaxed “I’ve Tried” – also mercilessly attack us with their sharp hooks. Even in case of somewhat mellower moments, like near the end of otherwise springy “My Sanctuary,” one can feel there’s some cosmic energy boiling right under the surface, while “King for a Day” marks a return to heavier, Gamma Ray-esque style. In yet another highlight – “Star Rider” – Unisonic successfully try their hand in atmospheric, sci-fi-scented songwriting. They finish off on a more melancholic note with “No One Ever Sees Me,” an emotional track with great lyrics and a beautiful vocal performance by Kiske.

Although Kiske and Hansen are the band’s main stars, there’s this feeling throughout the whole album that Unisonic – with Pink Cream 69’s Kosta Zafiriou on drums and Dennis Ward on bass plus Gotthard’s Mandy Meyer on guitar, is a very homogenous entity and not just a side project of two heavy metal veterans. Anyway, the word “veterans” sounds rather off here, doesn’t it? After all these years Kiske and Hansen sound fresh and energetic as they’ve ever had. Unisonic was never meant to become a clone of Helloween’s early albums and it is anything but that, but it certainly does manage to recapture the youthful vibe of the vocalist and guitarist’s groundbreaking 1980s efforts.

Genre: Heavy Metal, Power Metal

Band:
Michael Kiske (vocals)
Mandy Meyer (guitar)
Kai Hansen (guitar)
Dennis Ward (bass)
Kosta Zafiriou (drums)

Track Listing:
01. Unisonic
02. Souls Alive
03. Never Too Late
04. I’ve Tried
05. Star Rider
06. Never Change Me
07. Renegade
08. My Sanctuary
09. King For A Day
10. We Rise
11. No One Ever Sees Me

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1. Twas A Dream, 01:59
2. Charging, 03:47
3. Rising, 04:15
4. Oppose The Gates, 01:03
5. Fortunate Assembly, 04:20
6. Forest, 01:33
7. Ramkeizer, 03:29
8. Confrontation, 04:15
9. The Granzz, 03:28
10. Soon To Be, 01:00
11. Apotheosis, 03:55
12. Trek To The Heart, 04:59

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Having picked up a name for themselves over the last few years as a UK band to keep your eye on, Brighton’s FURYON have finally signed to Frontiers Records for the release of their debut full-length album "Gravitas", and what a debut it is.

Combining the swagger of classic British Hard Rock bands, the dynamics of modern metal and a sense of the '90s heaviness, the songs in "Gravitas" are played with heart, no doubt having been finely honed around the clubs that the band have been playing since their formation, and the musicianship is similar to that of a band that have been playing together forever.
Consisting of vocalist Matt Mitchell, guitarists Chris Green and Pat Heath, bass player Alex Bowen and drummer Lee Farmery, Furyon grab the listener from the opening guitar invitations of first track "Disappear Again", and never releases until it is ready to depart when it chooses.
The song epitomises the whole album, infectious, intelligent and unafraid to court the ear with addictive melodies, heavily loaded riffs and a catchiness which is hard to deny submission to.

Following track "Stand Like Stone" immediately shows the diversity of the band's sound and stylings. Its heavy tumbling rhythms and formidable metallic riffs burst through the ear. With a groove that beckons like a loose woman the song fills every pore with well crafted melodies and the impressive vocals of Mitchell.
In two songs he sets the quality of his tones and delivery, something that never drops throughout the album. The guitars and melodies are quite wanton, eager to excite and thrill, which they do with incredible songwriting skills and realisation.

Songs like the excellent "Souvenirs" with its lovely deep crusty bass lines, the mainstream radio feel of "New Way Of Living" offering a glorious and dense hard rock majesty, and the mesmeric "Wasted On You", come and go with wonderful quality and the ability to light up the senses.
The CD actually hits its peak around the mid-way point, with the slinky rocker "Voodoo Me" and one of the album highlights, "Fear Alone", with echoes of soulful nineties looser hard rock.
There is one track that eclipses all though, and that is the magnificent "Desert Suicide", a song which marks that Furyon isn't just another band of the herd. Structured with a mystical and a subdued atmosphere, the guitars slow to reveal themselves. Soon it evolves into a mighty beast of sound, slowly pacing around the ear before its muscular legs start to run with the senses though it never explodes outright. An addictive yet unpredictable track; the height of invention without indulgence, a stirring animal that remains inside long after the album departs.

Most of you must remember the well-regarded British 2000's melodic hard rock band Pride. Vocalist Matt Mitchell and guitar player Chris Green where members of Pride, but part ways to found a more rocking oriented band, and Furyon born.
"Gravitas" is a mighty slab of really well crafted songs infused with traditional hard rock, metal and classic rock influences, all wrapped into a truly unique and contemporary hard hitting sound that will stand the test of time.
You will be  by the creativity and the technically challenging yet infectiously catchy musicianship of Furyon.
Simply, "Gravitas" is one of the most compelling, notable and promising debuts by a British heavy rock band in years, and a great indicator of greater things to come for Furyon.
Highly Recommended.

01 - Disappear Again
02 - Stand Like Stone
03 - Souvenirs
04 - Don't Follow
05 - New Way Of Living
06 - Voodoo Me
07 - Fear Alone
08 - Wasted On You
09 - Our Peace Someday
10 - Desert Suicide
11 - Voodoo Me (acoustic) [Bonus Track]
12 - Souvenirs (acoustic) [Bonus Track]

Matt Mitchell - Vocals
Chris Green - Guitars
Pat Heath - Guitars
Alex "Nickel" Bowen - Bass
Lee Farmery - Drums

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Now that everyone has seen (and loved) the star-studded Tenacious D comeback video "To Be the Best," it's time to listen to the first single from their new album, the title track for "Rize of the Fenix." The album is set to be released on May 15.

The rock comedy duo's first movie, 2006's "Tenacious D in The Pick of Destiny," is now considered a cult classic by many, but it's largely viewed as a bomb -- it made a total of only $8.2 million, even at the height of D frontman Jack Black's box office power. But the band is embracing the theme of resurrection on their new album, and the title track is entirely devoted to earning back the good name of the band, who first earned fame with an HBO series and Dust Brothers-produced rock album.

Owing more than a little to the riff-heavy arena rock stylings of bands like Boston and Styx, and sounding a lot like the mini-suite "City Hall" from their first album, the single "Rize of the Fenix" aims to win back fans. And of course, the only way to do that is to rock even harder than they ever have before.

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